Themes of Salon Shadow 2017

1. Street (color/monochrome) PID color class
2. Portrait (color/monochrome) PID color class
3. Macro (color/monochrome) PID color class
4. Reflection (color/monochrome) PID color class
5. Open Color PID color class
6. Open Monochrome PID monochrome class
7. Nature (color/monochrome) ND color class
8. Birds (color/monochrome) ND color class
9. Flowers (color/monochrome) ND color class
10. Travel (color/monochrome) PTD color class
11. Photojournalism (color/monochrome) PJD color class
12. Sport (color/monochrome) PJD color class

PSA Definitions

PSA – Monochrome Photography
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.

PSA Nature Photography
Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archaeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.
• The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.
• Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves.
• Scientific bands, scientific tags or radio collars on wild animals are permissible.
• Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
• No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted.
• Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
• Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
• Stitched images are not permitted.
• All allowed adjustments must appear natural.
• Color images can be converted to greyscale monochrome.
• Infrared images, either direct-captures or derivations, are not allowed.

Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter.
This includes images taken with the subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
Images entered in Wildlife sections meeting the Nature Photography Definition above are further defined as one or more extant zoological or botanical organisms free and unrestrained in a natural or adopted habitat.
Landscapes, geologic formations, photographs of zoo or game farm animals, or of any extant zoological or botanical species taken under controlled conditions are NOT eligible in Wildlife sections.
Wildlife is not limited to animals, birds and insects. Marine subjects and botanical subjects (including fungi and algae) taken in the wild are suitable wildlife subjects, as are carcasses of extant species. Wildlife images may be entered in Nature sections of Exhibitions.

PSA – Photojournalism Photography
Photojournalism entries shall consist of images with informative content and emotional impact, reflecting the human presence in our world. The journalistic (storytelling) value of the image shall receive priority over pictorial quality. In the interest of credibility, images that misrepresent the truth, such as those from events or activities specifically arranged for photography or of subjects directed or hired for photography, are not eligible. Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable modifications are removal of dust, scratches or digital noise, restoration of the existing appearance of the original scene, sharpening that is not obvious, and conversion to greyscale‘monochrome. Derivations, including infrared, are not eligible.

PSA – Travel Photography
A Photo Travel image expresses the characteristic features or culture of a land as they are found naturally. There are no geographic limitations. Images from events or activities arranged specifically for photography, or of subjects directed or hired for photography are not appropriate. Close up pictures of people or objects must include features that provide information about the environment. Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable adjustments are removal of dust or digital noise, restoration of the appearance of the original scene, and complete conversion to greyscale monochrome. Other derivations, including infrared, are not permitted. All allowed adjustments must appear natural.

Reflection (color and monochrome)
The production of an image by or as if by a mirror. Double take or simple reflections can virtually double the amount of color, form and interest within your picture. They can reveal the most amazing abstract shapes by breaking up the form into waving patterns of color and shape. If you ever see a spectacular landscape reflected in a lake, a photographer usually can not resist taking a picture. There are reflections in shop windows, pools and puddles – even the polished paint or parts of cars can reflect interesting images worth photographing. Perfectly still water can mirror buildings, people and landscape, but lightly rippled water can sometimes produce even more interesting photographs – abstracts.
We are looking forward to your photographs, with everything that represents limitless imagination of reflected objects and shapes on it.