{"id":2478,"date":"2014-09-21T14:18:40","date_gmt":"2014-09-21T14:18:40","guid":{"rendered":"http:\/\/srbijafoto.rs\/?p=2478"},"modified":"2014-09-21T20:02:08","modified_gmt":"2014-09-21T20:02:08","slug":"john-clang-andy-warhal-singapurske-fotografije","status":"publish","type":"post","link":"https:\/\/srbijafoto.rs\/en\/2014\/09\/21\/john-clang-andy-warhal-singapurske-fotografije\/","title":{"rendered":"John Clang &#8211; Singapoore\u2019s Andy Warhal of Photography Art"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2480\" src=\"http:\/\/media.srbijafoto.rs\/2014\/09\/John-Clang.jpg\" alt=\"\u00a9 John Clang\" width=\"275\" height=\"350\" srcset=\"https:\/\/media.srbijafoto.rs\/2014\/09\/John-Clang.jpg 275w, https:\/\/media.srbijafoto.rs\/2014\/09\/John-Clang-168x215.jpg 168w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/p>\n<p><strong>John Clang<\/strong> is a photographer\/visual artist.<\/p>\n<p>He was born Ang Choon Leng in Singapore, earned his moniker in 1990 while in the National Service as his badge read C.L.Ang.<\/p>\n<p>In the early 90s, being a Singaporean was extremely difficult to secure meetings locally. However, when he introduced himself as Clang, people were more receptive to meet him, thinking that he was from Europe. It must have been a great disappointment when they met him.<br \/>\nIn 1999, he relocated to New York and was represented by Art + Commerce from 2002 to 2007.<\/p>\n<hr \/>\n<p>Clang\u2019s first exhibition, at age 20, was a duo-show at the controversial (and now defunct)<br \/>\nSingapore art group 5th Passage Artists. In 2001, he had his first solo exhibition at the Diane Von<br \/>\nFurstenberg Foundation in New York. He has since participated in more than 20 solo and group<br \/>\nexhibitions internationally. An installation of his personal work is in the permanent collection at<br \/>\nthe Singapore Art Museum and his artwork is also collected by private collectors from around the<br \/>\nworld.<\/p>\n<p>A visionary in his own right, Clang continues to push the medium of photography to critical and<br \/>\npopular acclaim. Nuanced yet startling, simple yet profound; these seeming \u201cimages of the<br \/>\nmundane\u201d that Clang created lift from the flow of an ordinary existence, seep into the cracks of<br \/>\nour collective consciousness \u2014 and tear it apart.<\/p>\n<p><strong>Artist Statement:<\/strong><\/p>\n<p>The mundane and the commonplace attract me \u2014 I always profess an affinity for subject matters closely related to my daily life. I resonate with subject matters closely related to my daily life. I often dwell upon urban and contemporary themes and landscapes; be it the city or its inhabitants. Intrigued by subtle changes in my environment, I find a corresponding shift in my feelings and thoughts. Hence, my images are a poetic reflection of myself in response to the nuanced changes in my environment.<\/p>\n<p>In series like Silhouette\/Urban Intervention (Black Tape), Strangers, Time, Out of Context, Beijing\/NYC, Remembering Strangers, My Twilight Window and Self-reflection, I grapple with issues of estrangement and intimacy in an urban space; the displacement of familiar urban objects, views and perspectives; as well as our sense of identity and place in this world.<\/p>\n<p>My images express an organic and poetic response to the nuanced shifts in my environment.My oeuvre reads like a visual diary, documenting my personal growth and critical thinking processes.<\/p>\n<p>The deeply personal also occupies my work, specifically the themes of memory, identity and longing as a son living overseas for years and separated from my family back home. Many of my series narrate my inner landscape and narrative of emotional conflicts, specifically the themes of memory, identity and longing as a Singaporean in New York separated from my family. In series like Erasure and Guilt, I respectively explore the fears when contemplating the death of a loved one, and the guilt of disappointing our loved ones. Explorations of identity can also take a turn for the playful and provocative\u2014as evidenced in lighter series like Beon Sleeps and Me and Friends.<\/p>\n<p>Ultimately, a good photograph is one that brings us face to face with our own existence. It pulls the stranger standing next to us into the intimate radius of our life. It collapses the beauty and strangeness around us into one. It connects. A good photograph does all these.<\/p>\n<p>See the interview with J. Clang by Sally Clarke:<\/p>\n<figure id=\"attachment_678\" aria-describedby=\"caption-attachment-678\" style=\"width: 111px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/media.srbijafoto.rs\/2014\/09\/An-Interview-with-John-Clang.pdf\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-678\" src=\"http:\/\/media.srbijafoto.rs\/2013\/09\/PDF-icon-215x215.jpg\" alt=\"Interview with J. Clang\" width=\"111\" height=\"111\" srcset=\"https:\/\/media.srbijafoto.rs\/2013\/09\/PDF-icon-215x215.jpg 215w, https:\/\/media.srbijafoto.rs\/2013\/09\/PDF-icon.jpg 256w\" sizes=\"auto, (max-width: 111px) 100vw, 111px\" \/><\/a><figcaption id=\"caption-attachment-678\" class=\"wp-caption-text\">Interview with J. Clang<\/figcaption><\/figure>\n<p>ngg_shortcode_0_placeholder<\/p>","protected":false},"excerpt":{"rendered":"<p>John Clang is a photographer\/visual artist. He was born Ang Choon Leng in Singapore, earned his moniker in 1990 while in the National Service as his badge read C.L.Ang. In the early 90s, being a Singaporean was extremely difficult to secure meetings locally. However, when he introduced himself as Clang, people were more receptive to &hellip; <a href=\"https:\/\/srbijafoto.rs\/en\/2014\/09\/21\/john-clang-andy-warhal-singapurske-fotografije\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">John Clang &#8211; Singapoore\u2019s Andy Warhal of Photography Art<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":2482,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-2478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-foto-notes","category-galerija"],"_links":{"self":[{"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/posts\/2478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/comments?post=2478"}],"version-history":[{"count":3,"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/posts\/2478\/revisions"}],"predecessor-version":[{"id":2496,"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/posts\/2478\/revisions\/2496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/media\/2482"}],"wp:attachment":[{"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/media?parent=2478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/categories?post=2478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/srbijafoto.rs\/en\/wp-json\/wp\/v2\/tags?post=2478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}